Pay attention to the ARTISTIC REPRESENTATION of the human face/body in these paintings, and how it differs from the ones right next to them, and even more from the ones further away. Some go for versimilitude, or strive to attain it at least, others never try to go near it and instead propose a very personal INTERPRETAION of the anthropomorphic representation, more personal, more simplified/stereotypical, or on the contrary a more complexified/transmuted version of a human figure. Same goes with the art of Mise en scène in cinema, and we see the same affinities and contrasts between various branches of cinema history, the realists, the verbose, the minimalists or the abstracts... (to cite only a few of them possibilities discovered by filmmakers over the years).
Would this work for music, too?
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Tyler Versluis is a composer and pianist.